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 Detailed Instructions

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In order to create special visual effects with our stage props and backdrops, we need to use special colours. Just applying paint, even bright poster paint will not achieve the sort of effect that is possible. There are three ways to get effects - multicoating, transparent patchwork, and interference colours.

Multicoating is when we mix our own colours, and make them thin enough so that the colour underneath shows through. Mostly, ready-mixed paints are designed to cover over whatever colour is already there, leaving a solid layer of a single colour. To make these paints thin enough to let the colours show through from underneath, they would be too runny to apply properly. However, when we have our own powders that make the colour (called pigments), we can add just enough for the effect we want, and put on several layers of different colours.

Transparent Patchwork is the process of painting clear (transparent) plastic sheet on both sides to creat a patchwork effect. Heavily textured surfaces are especially suitable because when painted from the outside with a stiff brush, all the low aresa are left unpainted. You can then paint the inside all over with another colour, and it will show through the clear plastic in an interesting pattern.

Interference Colours are called that because they interfere with other colours, so that when we apply them over other colours, the colour underneath changes. Not only that, interference colours react to light, and the colour we see depends on the way the light is shining on the surface. They have an interesting history. In nature, a large number of shells, fishes and birds have attractive pearl lustre colours which cannot be copied using ordinary pigments and dyes. This lustre effect is obtained by multiple reflection of light from thin layers, and early attempts to gain this effect by using fish scales were not very successful. Later development involved the use of lead, mercury and arsenic and, while achieving some pearl lustre effect, they were discontinued because they were so poisonous the people making and using them got very sick. The powders you will be using are perfectly safe, but like any powders, handle them carefully to avoid creating a dust. To get maximum effect from these colours, it is best to create a pattern of different colours as a base layer, and put them on a textured surface to allow the light to strike at different angles.

This close up of a picture frame shows the effects
possible using metallic and specialty pigments.

Materials
The four main materials are:

Aqua Clear - a clear acrylic coating, can be used straight from the container, thinned up to 10% with water, or with powders mixed in with it. Use water to clean brushes.
Earth Tones - a series of colour powders for adding to casting plaster, or mixing with Aqua Clear for paint effects or a paste to apply with a spatula.
Metallic Powders - a series of powders when, mixed with Aqua Clear, create the effect of metals: gold, silver, bronze and pewter.
Specialty Powders - two powders, blue/green and blue/red for special mother-of-pearl effect. Mixed with Aqua Clear, and applied with brush or foam. You will also need a palette for mixing the powders, a brush (bristle, hair or foam), scraps of paper and plastic to test your colours on, a container of clean water, mixing sticks, and newspaper on the table to contain the mess.

 Detailed Instructions


ŠPlasform 2003